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    <title></title>
    <link>http://www.vickicallahan.com/vickicallahan.com/Podcast/Podcast.html</link>
    <description>We have started posting podcasts with a variety of artists, scholars, and activists with connecting interests to our feminism 3.0 goals.   &lt;br/&gt;&lt;br/&gt;Our current podcast features Helen De Michiel on the social, cultural, and artistic changes facing us in the digital age.   </description>
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    <itunes:author>Feminism 3.0</itunes:author>
    <itunes:owner>
      <itunes:name>Feminism 3.0</itunes:name>
      <itunes:email>vacall@mac.com</itunes:email>
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    <itunes:subtitle>&#13;&#13;&#13;&#13;&#13;We have started posting podcasts with a variety of artists, scholars, and activists with connecting interests to our feminism 3.0 goals.   &#13;&#13;Our current podcast features Helen De Michiel on the social, cultural, and artist</itunes:subtitle>
    <itunes:summary>&#13;&#13;&#13;&#13;&#13;We have started posting podcasts with a variety of artists, scholars, and activists with connecting interests to our feminism 3.0 goals.   &#13;&#13;Our current podcast features Helen De Michiel on the social, cultural, and artistic changes facing us in the digital age.   </itunes:summary>
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    <copyright>vicki callahan</copyright>
    <language>en</language>
    <item>
      <title>A Conversation with Helen De Michiel (Co-Director, NAMAC), “THE BEST AND WORST OF TIMES...”</title>
      <link>http://www.vickicallahan.com/vickicallahan.com/Podcast/Entries/2010/1/10_A_Conversation_with_Helen_De_Michiel_%28Co-Director,_NAMAC%29.html</link>
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      <pubDate>Sun, 10 Jan 2010 12:20:59 -0800</pubDate>
      <description>&lt;a href=&quot;http://www.vickicallahan.com/vickicallahan.com/Media/itbounce-2.m4a&quot;&gt;&lt;img src=&quot;http://www.vickicallahan.com/vickicallahan.com/Podcast/Media/16.9231,-30,300,3008c7bf501_3c8cc67c_596642d9_1.png&quot; style=&quot;float:left; padding-right:10px; padding-bottom:10px; width:300px; height:300px;&quot;/&gt;&lt;/a&gt;As an artist and Co-Director of NAMAC, the National Alliance for Media Art + Culture, Helen De Michiel has been an active participant in ongoing conversations amongst diverse groups about the current state of media arts and the impact of digital technology on artists, arts practice, and culture.     &lt;br/&gt;&lt;br/&gt;True to the spirit of Helen’s own art work, when I asked to interview her about contemporary media she suggested instead a “dialogue.”  We discussed a number of  issues that make digital culture “the best and worst of times” for artists, activists, and concerned citizens: technological, aesthetic, and generational divides, new forms and definitions of creativity, the shifting roles of curators, copyright and fair use questions, and the issue of “holistic literacy.”  We hope this inspires further conversations.&lt;br/&gt;</description>
      <enclosure url="http://www.vickicallahan.com/vickicallahan.com/Media/itbounce-2.m4a" length="42441634" type="audio/mp4"/>
      <itunes:explicit>no</itunes:explicit>
      <itunes:author>Vicki Callahan</itunes:author>
      <itunes:duration>00:42:02</itunes:duration>
      <itunes:subtitle>As an artist and Co-Director of NAMAC, the National Alliance for Media Art + Culture, Helen De Michiel has been an active participant in ongoing conversations amongst diverse groups about the current state of media arts and the impact of digital technolog</itunes:subtitle>
      <itunes:summary>As an artist and Co-Director of NAMAC, the National Alliance for Media Art + Culture, Helen De Michiel has been an active participant in ongoing conversations amongst diverse groups about the current state of media arts and the impact of digital technology on artists, arts practice, and culture.     &#13;&#13;True to the spirit of Helen’s own art work, when I asked to interview her about contemporary media she suggested instead a “dialogue.”  We discussed a number of  issues that make digital culture “the best and worst of times” for artists, activists, and concerned citizens: technological, aesthetic, and generational divides, new forms and definitions of creativity, the shifting roles of curators, copyright and fair use questions, and the issue of “holistic literacy.”  We hope this inspires further conversations.&#13;</itunes:summary>
    </item>
    <item>
      <title>Joan Myers and the Search for Virginia Rappe in Film History</title>
      <link>http://www.vickicallahan.com/vickicallahan.com/Podcast/Entries/2009/7/1_Joan_Myers_and_the_Search_for_Virginia_Rappe_in_Film_History.html</link>
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      <pubDate>Wed, 1 Jul 2009 16:31:28 -0700</pubDate>
      <description>&lt;a href=&quot;http://www.vickicallahan.com/vickicallahan.com/Media/itbounce.m4a&quot;&gt;&lt;img src=&quot;http://www.vickicallahan.com/vickicallahan.com/Podcast/Media/71.4895,474.837,1464.8,1464.88c7bf501_dfeb2281_937415e2.jpg&quot; style=&quot;float:left; padding-right:10px; padding-bottom:10px; width:358px; height:358px;&quot;/&gt;&lt;/a&gt;Independent researcher, Joan Myers, tells us of her findings from her search for information regarding the silent film actress, Virginia Rappe  -- mainly known in film history as the woman who “destroyed” Arbuckle’s career through her death following a party in his hotel room. &lt;br/&gt;&lt;br/&gt;Myers examines the received history of the subsequent trial(s) investigating Rappe’s death (and Arbuckle’s participation/responsibility) and the factors that contributed to how we understand those events today. &lt;br/&gt;&lt;br/&gt;A non-canonical reading of silent film history, Myers’s account is an important one for feminist scholars.&lt;br/&gt;&lt;br/&gt;Many thanks to Joan Myers and Marilyn Slater for their photos/materials used in the &lt;br/&gt;podcast.</description>
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      <itunes:explicit>no</itunes:explicit>
      <itunes:author>Vicki Callahan</itunes:author>
      <itunes:duration>00:20:24</itunes:duration>
      <itunes:subtitle>Independent researcher, Joan Myers, tells us of her findings from her search for information regarding the silent film actress, Virginia Rappe  -- mainly known in film history as the woman who “destroyed” Arbuckle’s career through her</itunes:subtitle>
      <itunes:summary>Independent researcher, Joan Myers, tells us of her findings from her search for information regarding the silent film actress, Virginia Rappe  -- mainly known in film history as the woman who “destroyed” Arbuckle’s career through her death following a party in his hotel room. &#13;&#13;Myers examines the received history of the subsequent trial(s) investigating Rappe’s death (and Arbuckle’s participation/responsibility) and the factors that contributed to how we understand those events today. &#13;&#13;A non-canonical reading of silent film history, Myers’s account is an important one for feminist scholars.&#13;&#13;Many thanks to Joan Myers and Marilyn Slater for their photos/materials used in the &#13;podcast.</itunes:summary>
    </item>
    <item>
      <title>The Studio for Southern California History</title>
      <link>http://www.vickicallahan.com/vickicallahan.com/Podcast/Entries/2009/1/3_The_Studio_for_Southern_California_History.html</link>
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      <pubDate>Sat, 3 Jan 2009 16:05:13 -0800</pubDate>
      <description>&lt;a href=&quot;http://www.vickicallahan.com/vickicallahan.com/Media/Sharon%20Sekhon%20Podcast.m4a&quot;&gt;&lt;img src=&quot;http://www.vickicallahan.com/vickicallahan.com/Podcast/Media/0,80,480,4809578fb4f_bd282623_846756d3_1.jpg&quot; style=&quot;float:left; padding-right:10px; padding-bottom:10px; width:358px; height:358px;&quot;/&gt;&lt;/a&gt;An Interview with Sharon Sekhon, Founder and Director of The Studio for Southern California History.  &lt;br/&gt;&lt;br/&gt;The Studio is a community based cultural history museum, which focuses on overlooked histories/stories from the region.  The Studio is unique not only for the kinds of stories told but also for its emphasis on interactive multimedia employed in historical writing.   Located in the Chinatown area of Los Angeles, The Studio for Southern California History is another innovative “archive for the future.”&lt;br/&gt;&lt;br/&gt;</description>
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      <itunes:explicit>no</itunes:explicit>
      <itunes:author>Vicki Callahan</itunes:author>
      <itunes:duration>00:14:59</itunes:duration>
      <itunes:subtitle>An Interview with Sharon Sekhon, Founder and Director of The Studio for Southern California History.  &#13;&#13;The Studio is a community based cultural history museum, which focuses on overlooked histories/stories from the region.  The Studio is unique n</itunes:subtitle>
      <itunes:summary>An Interview with Sharon Sekhon, Founder and Director of The Studio for Southern California History.  &#13;&#13;The Studio is a community based cultural history museum, which focuses on overlooked histories/stories from the region.  The Studio is unique not only for the kinds of stories told but also for its emphasis on interactive multimedia employed in historical writing.   Located in the Chinatown area of Los Angeles, The Studio for Southern California History is another innovative “archive for the future.”&#13;&#13;</itunes:summary>
    </item>
    <item>
      <title>Cecelia Condit</title>
      <link>http://www.vickicallahan.com/vickicallahan.com/Podcast/Entries/2008/8/13_Cecelia_Condit.html</link>
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      <pubDate>Wed, 13 Aug 2008 18:27:01 -0700</pubDate>
      <description>&lt;a href=&quot;http://www.vickicallahan.com/vickicallahan.com/Media/Cecelia%20Condit.m4a&quot;&gt;&lt;img src=&quot;http://www.vickicallahan.com/vickicallahan.com/Podcast/Media/podcast-large_1.jpg&quot; style=&quot;float:left; padding-right:10px; padding-bottom:10px; width:170px; height:170px;&quot;/&gt;&lt;/a&gt;Cecelia Condit is a media artist whose work pays particular attention to women’s voices and desires -- especially those at the margins of accepted speech and action.  Her career is a long and highly distinguished one with videos from the early 1980s to today.  She is the recipient of numerous awards  for her work including NEA and Guggenheim fellowships.  &lt;br/&gt;&lt;br/&gt;Professor Condit was kind enough to talk about her work while in the final stages of completing her latest piece, ANNIE LLOYD -- a moving portrait of her mother as both parent and artist.    &lt;br/&gt;&lt;br/&gt;Cecelia Condit’s  video works include:&lt;br/&gt;BENEATH THE SKIN, 1981&lt;br/&gt;POSSIBLY IN MICHIGAN, 1983&lt;br/&gt;NOT A JEALOUS BONE, 1987&lt;br/&gt;SUBURBS OF EDEN 1992&lt;br/&gt;OH RAPUNZEL, 1996&lt;br/&gt;WHY NOT A SPARROW, 2003&lt;br/&gt;ALL ABOUT A GIRL, 2004&lt;br/&gt;LITTLE SPIRITS, 2005&lt;br/&gt;ANNIE LLOYD, 2008&lt;br/&gt;&lt;br/&gt;All images seen in the podcast are courtesy of Cecelia Condit, with the exception of one image, which is courtesy of Mary Lucier (from a forthcoming work).  Ms. Lucier’s image appears during the discussion of her work in our interview. &lt;br/&gt;&lt;br/&gt;</description>
      <enclosure url="http://www.vickicallahan.com/vickicallahan.com/Media/Cecelia%20Condit.m4a" length="51190938" type="audio/mp4"/>
      <itunes:explicit>no</itunes:explicit>
      <itunes:author>Vicki Callahan</itunes:author>
      <itunes:duration>00:51:50</itunes:duration>
      <itunes:subtitle>Cecelia Condit is a media artist whose work pays particular attention to women’s voices and desires -- especially those at the margins of accepted speech and action.  Her career is a long and highly distinguished one with videos from the early 1980</itunes:subtitle>
      <itunes:summary>Cecelia Condit is a media artist whose work pays particular attention to women’s voices and desires -- especially those at the margins of accepted speech and action.  Her career is a long and highly distinguished one with videos from the early 1980s to today.  She is the recipient of numerous awards  for her work including NEA and Guggenheim fellowships.  &#13;&#13;Professor Condit was kind enough to talk about her work while in the final stages of completing her latest piece, ANNIE LLOYD -- a moving portrait of her mother as both parent and artist.    &#13;&#13;Cecelia Condit’s  video works include:&#13;BENEATH THE SKIN, 1981&#13;POSSIBLY IN MICHIGAN, 1983&#13;NOT A JEALOUS BONE, 1987&#13;SUBURBS OF EDEN 1992&#13;OH RAPUNZEL, 1996&#13;WHY NOT A SPARROW, 2003&#13;ALL ABOUT A GIRL, 2004&#13;LITTLE SPIRITS, 2005&#13;ANNIE LLOYD, 2008&#13;&#13;All images seen in the podcast are courtesy of Cecelia Condit, with the exception of one image, which is courtesy of Mary Lucier (from a forthcoming work).  Ms. Lucier’s image appears during the discussion of her work in our interview. &#13;&#13;</itunes:summary>
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